Monday, March 14, 2011

Black Swan : Watch it for Natalie


Sometimes you leave the theatre with not fullest understanding of what the movie was about. Like for Inception. So is for Black Swan. You get enthralled nonetheless. It’s beautifully pictured and ensemble of a sincere cast. Darren Aronofsky was dead-on in executing his vision of this movie. I have seen his pi and requiem of dream before, and was expecting no less.

Black swan is a struggle of saint hearted white swan to get acquainted with but thereby acquiring the traits of black swan, the dark side.

It’s an allegory at some level. But what’s supreme about this movie is Natalie’s performance in different moods and state of minds. So wide is her palette that at times screenplay get vivid because of her rather than too stark or repetitive.

It keeps you guessing and you lose sights of reality at times as it uses impressionistic style of rendering her state of mind her hallucinations. Throughout camera point of view stuck her back and you become one with her. This style of moviemaking makes storytelling so engaging . The background score was actually the soundtrack of “swan lake” ballet so it is hard to distinguish where the theme of play ends or the life striving to achieve that perfection starts.

Natalie Portman had a good run but so far her roles were too restrictive or limited in terms of scope. This one blows your mind by what is capable of doing.

So subtly used were the special effects that they don’t overpower and fills in the imagination and fear just right. The peak of the story or the imagery of thorns and feathers from her skin so precariously overlaps at the moment it like reaching the crescendo.

This is in some way revives the ballet and the art and perfection around it through form of cinema.

A must watch.

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